George Condo is an American artist known for his distinctive, deformed and sometimes demonic paintings that combine figuration and abstraction. Most heavily influenced by the contrasting aesthetics of old master painting, cubism and pop art, Condo also draws from art historical references as diverse as Picasso, Paul Cézanne, Jean-Baptiste-Siméon Chardin and Willem de Kooning. He is renowned for mixing madness and beauty in his often figurative output, asserting that art's potential is not to invent, but to reconfigure, retool and innovate. The juxtapositions and strange figures in his artworks are a stand-in for the chaos of contemporary life.
The intermingling of contemporary art and music has always been an important part of Condo's practice. For two years, he studied art history simultaneously with guitar and composition at the University of Massachusetts Lowell. After leaving college, Condo moved to Boston and joined proto-synth/punk band The Girls. When Condo met Jean Michel-Basquiat after The Girls opened for the artist's band in New York City in 1979, Condo decided to move to New York to pursue a career in art. It was here that he coined the term 'artificial realism', a term that he used to describe his life-like representation of imagined things and that would come to define his practice.